The fluidity of identity begins here. Fish from the supermarket dissolve into human hair, questioning where the self ends and the other begins. This transformation of mundane commodity into existential symbol opens our journey into interconnected realities.
The boundary between consumer and consumed blurs as the supermarket squid merges with ethereal humanity. Through this visceral fusion, we glimpse the unconscious depths where life’s fundamental nature reveals itself beyond commercial surfaces.
Death becomes resurrection through ritual. The lifeless seagull found on Hakui’s shores transforms into delicate AI-generated flowers, then receives the artist’s manual touch. This cycle of decay, digital rebirth, and human intervention embodies the endless dance between ending and beginning.
At the threshold between worlds, the snake and spider lily rest upon the translucent girl’s form. Here, Buddhist concepts of the “Other Shore” materialize as visual poetry, revealing the soul’s dwelling place in the liminal space between existence and non-existence.
The journey concludes with a Dorothy who cannot return home, crowned with the crow that died as agricultural warning. In this final convergence of fairy tale, death, and complicity, we confront the impossibility of singular perspective—and the necessity of imagining beyond our own boundaries.